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Opera

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Orchestra

M. Marais & L. de Lully: Alcide

a nocte temporis breathes new life into Marin Marais and Louis de Lully’s dramatic masterpiece Alcide ou la Mort d’Hercule.
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Tuesday

29

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09

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26

19:00

Tickets

Grand Manège Namur

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Namur (BE)

Curve of the moon uit het muzikale ensemble a nocte temporis

Programma

M. Marais & L. de Lully, Alcide

Uitvoerders

Baroque ensemble:

a nocte temporis

Choir:

Choeur de Chambre de Namur

Soloists:

Reinoud Van Mechelen, Alcide and artistic direction
Gwendoline Blondeel, Iole, La Victoire
Isabelle Druet, Déjanire
Philippe Estèphe, Philocète
Sterre Decru, Testylis

Aurélie Moreels, Une bergère, Amour 
Sean Clayton
, Zéphir
Thibaut Leanerts
, Un Pastre, Un habitant d’ Æcalie
Samuel Namotte
, Un habitant des climats heureux
Arnaud Lion
, Un guerrier, Licas, Un Prêtre    

With Alcide ou la Mort d’Hercule, a nocte temporis and Reinoud Van Mechelen return to the rich world of late‑17th‑century French tragédie lyrique.

The opera premiered on 13 March 1693 to great acclaim: a collaboration between Marin Marais and Louis de Lully, son of the renowned Jean‑Baptiste Lully, set to a libretto by Campistron.

Following earlier rediscoveries such as Céphale & Procris (Élisabeth Jacquet de La Guerre) and Médée et Jason (J.F. Salomon), the ensemble now turns to a work once celebrated but rarely performed today. The opera recounts the tragic fate of Alcide (Hercules) and his unrequited love for Iole, in a prologue and five acts.

Marais, who served for many years as Lully’s assistant, crafted a score deeply rooted in his master’s late style:recitatives shaped by chaconne rhythms, dances, ritornellos, a mad scene, and a striking infernal act - all hallmarks of the grand French operatic tradition.

Coproduction PerPodium

Thanks to CMBV

With the generous support of Aline Foriel-Destezet

“Alcide staat precies op het kruispunt tussen traditie en vernieuwing: een werk dat de grandeur van Lully respecteert, maar tegelijk vooruitwijst naar de meer sensuele, instrumentaal gedreven Franse barok die Marais later zou helpen vormgeven.”

Opera Magazine

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